‘The audience gets to be in on it’: How narrative-led gameplay is Call of Duty’s greatest weapon

As video games chase spectacle, Modern Warfare 4 makes a case for putting character and consequence at the heart of its biggest battles • Don’t get Pushing Buttons delivered to your inbox? Sign up here In these strange, subdued weeks before the much-anticipated release of Grand Theft Auto VI, there have still been some welcome surprises.

Onimusha: Way of the Sword revived a half-forgotten samurai action series with much aplomb, while Silent Hill: Townfall transported all of the franchise’s bloody, dread-filled psychological horror to … the picturesque Scottish coast.

Even more shocking to games writers , though, is the fact that the forthcoming Modern Warfare 4 has one of the best Call of Duty campaign modes for at least six years – and might even be up there with the original Modern Warfare trilogy.

The setting is an invasion of South Korea by its northern neighbour – a setup that could have fuelled a hundred instantly forgettable Netflix films, but has proved controversial in a video game.

The authoritarian regime has a new (fictitious) ruler and a powerful experimental weapon, which it’s not afraid to use as the opening gambit in an explosive attack.

You take on the role of Park Hyun Jun, a conscripted South Korean soldier who, along with his small unit of similarly inexperienced grunts, gets caught in the firestorm as cities burn and enemy paratroopers fill the skies.

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