Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA
(New West) Following 2023 breakout Time Ain’t Accidental, the best songs here are when Williamson strips back country music, rebuilding it as something familiar yet different In her essay Goodbye to All That , Joan Didion writes that she left New York City when “the golden rhythm was broken”.
Texas-born alt-country singer Jess Williamson borrows the title for the aching opening track of her sixth solo album, on which she contemplates whether she has had enough of Los Angeles.
But while Didion was looking back on leaving the city of her youth behind, Williamson is still in LA, wrestling with competing desires to stay or flee.
This tumultuous love-me, love-me-not is set to Williamson’s most traditional soundscapes to date: “Deep in the woods I feel the hum of the city,” she sings on Hum of the City in her strongest Texas drawl over mournful strings and twiddling banjo.
Gone are the iPhone-programmed drums that made her 2023 breakout Time Ain’t Accidental so appealingly offbeat, and while the Americana flourishes give weight to Williamson’s nostalgia for her native Dallas, at times they make the album stodgier and less imaginative than her previous record.
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