King Lear review – David Threlfall makes a moving Lear, but why is he playing the Fool too?
Royal Exchange theatre, Manchester Matthew Dunster’s disruptive reinvention of the tragedy merges two roles for its star and at times enters Game of Thrones territory The TV series Succession was partly modelled on King Lear, the family name Roy derived from the monarchic French roi.
Returning the compliment, Matthew Dunster’s production centralises dynastic dynamics among the young as they plot around a splintering figurehead.
The reading is supported by a modern setting – jeans, car keys and handguns for hessian, horses and swords – on an Anna Fleischle set of spangly strings variously dividing the stage into a nightclub, England and France, dungeons and, in the storm scene, serving as shower curtains to keep theatregoers dry.
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5News aggregated this summary from the outlet’s public feed. The full article, with all the context, is on www.theguardian.com — the content belongs to The Guardian UK.
