Critics celebrate Céline Dion's 'high-stakes' comeback show in Paris

Iconic Canadian pop singer Céline Dion has kicked off her long-awaited comeback show in Paris on Saturday, after a six-year hiatus due to health issues.

The 58-year-old superstar was diagnosed with a rare neurological disorder called stiff person syndrome in 2022, which forced her to pull back from touring.

Dion, one of the best-selling musical artists of all time, has not performed a full show since a 2020 concert in New Jersey - the last before the Covid pandemic cut her tour short. In 2024, she performed just one song at the Paris Olympics closing ceremony.

Saturday marked the first of Dion's 26-show residency at the Paris La Défense Arena, Europe's largest covered concert arena.

"I made a promise," she told the Paris audience of about 30,000 people in her emotional return.

"I made a promise to come back, to be back on stage. And here I am. Singing for you, and singing for me," she said.

She also broke down in tears after finishing a song, telling the audience: "I had promised myself not to cry."

They weren't the only tears of the night, as the star appeared to be overcome with emotion several times.

Dion will be performing in Paris throughout September and October and into the New Year.

The Mirror's Lucy Needham , external noted that the singer was 50 minutes late to start, and may have needed extra time to "compose herself" for the "emotionally charged return".

"Eyes-brimming, the veteran singer gave herself little nods of approval after every line, before finally breaking down at the end of the track, seemingly overwhelmed at having made it through."

After beginning her set in a black gown, she later changed into a trouser suit "to show off some of those signature kooky dance moves," says Needham, adding that she appeared "to be having the time of her life, gyrating and slapping her thighs with glee".

The night was a "a tense, tearful, joyous affair probably even more so for the singer than for her loyal audience," writes The Telegraph's Neil McCormick , external .

She started out slow, he says. "Her voice sounded fragile and exposed, but at least it was her distinctive voice, not some autotuned approximation."