Aigul Akhmetshina: Mujer Fatal album review – classy and sensual in music from Bizet to Britten and Bernstein
Akhmetshina/Pappano (Decca) The mezzo-soprano lends supple and elegant voice to opera arias and musical numbers that explore womanhood Acclaimed for embodying opera’s femme fatales such as Carmen and Dalia, Aigul Akhmetshina explores womanhood more broadly on her second album, Mujer Fatal.
Accompanied on piano by Antonio Pappano, the repertoire ranges from Spanish, French and Russian art song, to Broadway and beyond.
The title track, written by Elena Roussanova especially for the Bashkortostan-born mezzo-soprano, sets the tone.
Akhmetshina’s supple instrument wraps itself around the languid vocal lines while Pappano’s sensitive touch draws out the music’s delicate melismas.
Two of Montsalvatge’s Canciones Negras find the singer spinning long-breathed melodies, dipping down elegantly into her burgundy lower register.
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