Robby Hoffman Drops Limited-Edition Vinyl of Her Latest Comedy Special ‘Wake Up’
“It’s that old trope, that musicians want to be comedians, and comedians want to be rock stars,” Robby Hoffman says.
We’re talking about her comedy special, Robby Hoffman: Wake Up , which was produced by John Mulaney and was a breakout hit on Netflix when it aired in December 2025. Today, it also drops as an album from the legendary indie label Secretly Canadian, available in digital format as well as a limited run of signed vinyl. (Find out where to order here .)
For a diminutive Jewish dyke (her word) from Montreal, Hoffman has an ineffable swagger — it’s something in the incongruity of how she looks, paired with her jokes dressing down children, pedophiles, and the Brooklyn straights who use they/them pronouns. “I come out very rock star-like. It’s almost like this old Andrew Dice Clay way of doing comedy. [On tour,] I’m in a lot of historic music venues, and we’re bringing the house down with comedy instead of music. Our fandoms have really collided.”
So it makes sense, then, that Hoffman is releasing her first album. “You always see those pictures of artists signing shit,” she says. “They want me to do that now, so I’m gonna do that. I’ll take a picture.”
Hoffman’s rise to fame has been “slow and steady,” says the comedian, 36. “I know everybody wants to pop off right away. For me, I was always doing this for love or money. This is how I toil.” She started with four-minute stints on Toronto comedy club stages, working her way up to short specials on Netflix. Then came scene-stealing roles in Hacks (which earned her an Outstanding Guest Actress Emmy nomination earlier this year), Dying for Sex, and Rooster , and now she’s selling out venues across the globe. “I’ve been moving from smaller venues to bigger venues,” she says. “I was, for a very long time, ‘If you knew, you knew.’ Now I’m like, ‘You have to know.”
In the press release for the album, Hoffman jokes that putting out a physical album is the only way her mother will finally hear the special. In reality, Hoffman’s interest in comedy records came almost entirely from her. “My mother, who’s a musician and avid record [collector], she probably has 10,000 records,” Hoffman says. When she got started in comedy about a decade ago, her mother started sending her comedy records. Now, the comedian makes sure to hit record stores in the towns where she tours. So far, she’s got about 50, which she shows off via Zoom. “She’s been sending me [George] Carlin and Joan Rivers,” she says, flipping through. “These are a lot of Carlin.” She pauses and makes a little grimace, pulling out another album. “But I have Bill Cosby.” Editor’s picks The 250 Greatest Albums of the 21st Century So Far The 100 Best TV Episodes of All Time The 500 Greatest Albums of All Time 100 Best Movies of the 21st Century
She launches into a bit about how her mother doesn’t have a conception of “art vs. artist” — “What’s the problem with Cosby?” she says in a perfect Borscht Belt lilt, imitating her mother. “Suddenly, there’s a problem with Cosby?” Her mother, she says, doesn’t pay attention to pop culture enough to know anything about the people who make the art. “She just knows the work,” she says.
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