The concert trend forcing fans to pay way more
Harry Styles performs on stage during his Together, Together Tour at Johan Cruijff Arena on May 16, 2026, in Amsterdam, Netherlands. | Anthony Pham/Getty Images for HS On Wednesday, Harry Styles begins his 30-night residency at Madison Square Garden, making him the latest in a wave of celebrities who are turning away from conventional touring and changing the experience of live music as a result.
In recent years, Adele, Bad Bunny, and Billy Joel have all had sold-out residencies in Munich, Puerto Rico, and New York, respectively.
This means that fans can’t just wait for a visit to their hometown — they have to buy a ticket and book a trip, sometimes a very expensive one.
Residencies have become a high-profile example of how the economics of entertainment are changing how we experience culture, and who can even afford to have that experience.
There are a number of reasons for the trend: residencies are more cost-effective for musicians and crew, and they’re a lot easier in other ways.
Burnout, exhaustion, and substance abuse have long been features of touring musicians’ stories from the road, and residencies alleviate some of that physical and mental toll — at least for the superstars who can book them.
The fans, however, especially the ones coming in from out of town, have to pick up that tab now.
Today, Explained host Astead Herndon interviewed Billboard writer Robert Levine about this topic back in February.
They discussed why this has happened — and how, for many fans, these costs can actually be worth it.
Residencies create increased pressure to create a “sense of event,” and ensure every show offers something special — really delivering for the handful of people who can make the trip, and creating FOMO for those who can’t make it, which is kind of the goal of all of it.
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I’m based in New York, so Harry Styles’s tour really perked my interest.
He’ll be here for a 30-night residency and he has no other US shows on his tour.
Can you explain to me the business of Harry staying put like this? Why has this become a thing for artists? What do we think this tour represents? What’s interesting is all the writing and all the talk about the concert business focuses on the money that’s going in.
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