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Entertainment

No One Trolls MAGA Better Than Kacey Musgraves

Rolling Stone ·
No One Trolls MAGA Better Than Kacey Musgraves

Kacey Musgraves already has eight Grammys, but if there were awards given out for trolling MAGA and its acolytes, she’d clean up there too.

The Texas-born singer’s Middle of Nowhere tour kickoff in Chicago last week was the perfect case study in how artfully she’s able to thrill, piss off, and offend the far right in one fell swoop. First, she delights them (warming up the crowd with the Dallas Cowboys Cheerleaders’ theme song “Thunderstruck,” covering George Strait, wearing a giant belt buckle and an even larger Stetson). Then, she hath taketh away: descending from the heavens to play “Rhinestoned” on a giant pair of disco balls (or, to be more precise, disco truck nutz) and asking for fans to donate to the local organization Young Center for Immigrant Children’s Rights in honor of her birthday. (She turned 38 on Friday.)

“It’s a wonderful organization, and they help give aid, legal aid, and money to children whose parents have been deported unfairly,” Musgraves said from the stage . “It’s not a political thing. It’s just, these kids need help.”

Predictably, Fox News’ Tomi Lahren wasn’t having it, posting on X “what is an unfair deportation?” Newsmax’s Rob Schmitt was oh so elegant in his response , remarking that “nowhere is safe from libtards. Not even country music.” MAGA influencer Vince Langman bemoaned “what happened to the country music industry?” For context, the Young Center for Immigrant Children’s Rights advocates for children who are separated for their parents or placed alone in government custody: not exactly something that should, on the surface, be glaringly offensive. Country music is a genre of family values, and what’s more supportive of the family than making sure children are cared for, regardless of who their parents are?

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5News aggregated this summary from the outlet’s public feed. The full article, with all the context, is on www.rollingstone.com — the content belongs to Rolling Stone.

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