‘Dau’ Review: Ilya Khrzhanovsky’s Vast Cinematic Experiment in Historical World-Building Remains More Impressive From a Distance
More than six years after Ilya Khrzhanovsky premiered “DAU.
Natasha” and “DAU.
Degeneration” at the Berlin Film Festival — right before the global COVID lockdown — to a politely muted reception and limited distributor interest, you might think the moment has passed for another missive from the DAU C
5News aggregated this summary from the outlet’s public feed. The full article, with all the context, is on variety.com — the content belongs to Variety.
