‘Nowhere to Lay My Eyes’ Review: Kim Minhee Once More Gives a Melancholy Masterclass in a Hong Sangsoo Miniature
The death-and-taxes certainty of Hong Sangsoo’s filmography — comparable to Woody Allen’s prime career run in its regularity, consistency and recurrence of ideas and actors across a gently varying tonal spectrum — has lately been infused with some mild unpredictability.
Earlier this year, his Berlinale premiere “The Day She Returns” continued an occasional experimental jag […]
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