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› ICC rules ex-Philippine president fit to stand trial › Sergio Camello: ‘Rayo is the last team standing – it’s football from another time’› Matildas coach Joe Montemurro backs Mary Fowler’s absence from friendlies › Russian strikes kill at least 30 in Ukraine › My son goes to the gym a lot. How can I tell if this is healthy or a sign something is wrong?› Family day care shrinks as parents opt for centre-based care › Astronomers pinpoint the origin of a 10 billion-year-old millisecond signal from space › Why do runners get so many injuries? And does strength training really make a difference?› Friday essay: space was once a place of wonder – now it’s being bought and sold by powerful men › Hoping for a ‘new normal’ climate is pointless. We must learn to adapt › ICC rules ex-Philippine president fit to stand trial › Sergio Camello: ‘Rayo is the last team standing – it’s football from another time’› Matildas coach Joe Montemurro backs Mary Fowler’s absence from friendlies › Russian strikes kill at least 30 in Ukraine › My son goes to the gym a lot. How can I tell if this is healthy or a sign something is wrong?› Family day care shrinks as parents opt for centre-based care › Astronomers pinpoint the origin of a 10 billion-year-old millisecond signal from space › Why do runners get so many injuries? And does strength training really make a difference?› Friday essay: space was once a place of wonder – now it’s being bought and sold by powerful men › Hoping for a ‘new normal’ climate is pointless. We must learn to adapt

Entertainment

Josh Hartnett’s new Netflix thriller starts with a bang – then hits murky waters

Sydney Morning Herald - Culture · 8 October 2026 at 6:01 pm

Josh Hartnett’s new Netflix thriller starts with a bang – then hits murky waters

The first half of Below has everything: a monster, a thoughtfully drawn small community and David Wenham.

It’s a pity about the rest of it.

Read the full article on Sydney Morning Herald - Culture ›

5News aggregated this summary from the outlet’s public feed. The full article, with all the context, is on www.smh.com.au — the content belongs to Sydney Morning Herald - Culture.

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